Osun State Governor, Ademola Adeleke, has expressed deep sorrow over the death of veteran juju musician Yekini Ajao, describing him as a close friend and one of the most important figures in Nigeria’s music history.
Ajao, popularly known among fans as Y.K., reportedly died after undergoing several surgeries at a hospital in India. His death brings to an end a long career that lasted for decades and left a strong mark on Nigeria’s traditional and modern music scene.
In a statement released on Tuesday by his spokesperson, Olawale Rasheed, Governor Adeleke paid tribute to the late singer, recalling both his personal relationship with him and his contribution to the growth of juju music.
“I lost a very close friend, Y.K. We prayed for him to survive but God ruled otherwise,” the governor said. “I commiserate with his family and our circle of friends, notably Shina Peters and others. His memories remain evergreen. He was a true music legend.”
Governor Adeleke described Ajao’s death as not just a personal loss, but also a major blow to Nigeria’s entertainment industry. According to him, the late musician was more than a performer—he was a cultural figure whose work helped shape a generation of music lovers.
He also recalled Ajao’s role in a historic moment in Osun State, noting that the musician performed during the inauguration of his late brother, Isiaka Adetunji Adeleke, who was the first executive governor of the state.
“When my late brother assumed office, he performed at the inauguration ceremony at our country home,” the governor said. “My late friend is a colossal musical figure.”
The tribute highlights the close ties between the Adeleke family and the late musician, showing that Ajao’s influence extended beyond music into personal relationships and important public events.
Born in Iseyin, in present-day Oyo State, Yekini Ajao showed interest in music from a very young age. He reportedly began his musical journey at the age of nine, developing skills that would later earn him national recognition.
In interviews, Ajao often spoke about how he was inspired by listening to I.K. Dairo, one of the pioneers of modern juju music. This early influence played a key role in shaping his sound and style.
Despite his passion for music, Ajao initially pursued other careers. He trained as a fashion designer and also worked as a nurse in his hometown of Iseyin. However, his love for music eventually led him to leave both professions behind.
In 1971, he moved to Lagos, which was already the centre of Nigeria’s entertainment industry at the time. There, he joined a band led by Captain R. Ade, gaining valuable experience and exposure.
By December 1973, Ajao had formed his own music group, marking the beginning of his independent career. From that point, he began to build a name for himself in the competitive Lagos music scene.
Ajao’s early works received moderate attention, but it was his album Macossa Series 1 that brought him into the national spotlight. The album introduced a fresh sound that blended traditional juju rhythms with makossa influences, creating a unique style that came to be known as Juju Makosa.
He is widely credited as the pioneer of this genre, which added a new dimension to Nigerian music at the time. His ability to mix different sounds helped him stand out among his peers.
Over the years, Ajao released several popular songs that gained wide acceptance among fans. Some of his notable works include Makosa Series 2, Vigilante, Akoni Mamu Gege, and Oro NEPA.
These songs were known for their energetic beats, relatable lyrics, and strong stage performances. His music often addressed everyday issues, making it easy for listeners to connect with his message.
Juju music has long been one of Nigeria’s most important traditional music styles, with roots in Yoruba culture. Over the years, it has evolved through the efforts of various artists who introduced new sounds and ideas.
Ajao’s contribution to this evolution cannot be overlooked. By creating the Juju Makosa style, he expanded the boundaries of the genre and inspired other musicians to experiment with new forms.
His work placed him alongside other respected names in the industry, including Shina Peters and other leading juju artists who helped keep the genre alive in the face of changing musical trends.
Reports indicate that Ajao had been battling health challenges for some time before his death. He reportedly travelled to India for medical treatment, where he underwent multiple surgeries.
Despite efforts by doctors and prayers from family, friends, and fans, he did not survive. His passing has since sparked an outpouring of tributes from across the country.
Many fans have taken to social media to share memories of his music and performances, describing him as a gifted artist whose songs brought joy to many.
Since news of his death broke, tributes have continued to pour in from fellow musicians, fans, and public figures. Many have described Ajao as a humble man who remained dedicated to his craft throughout his life.
For Governor Adeleke, the loss is both personal and symbolic. His tribute reflects the deep bond they shared and the respect he had for Ajao’s work.
“He was a true music legend,” the governor said, a statement that captures the feelings of many Nigerians who grew up listening to his songs.
The death of Yekini Ajao marks the end of an era for juju music, a genre that has played a key role in Nigeria’s cultural identity.
While the music industry continues to evolve, the contributions of pioneers like Ajao remain important. His songs, style, and influence will continue to inspire future generations of musicians.
As Nigeria mourns one of its musical icons, many are reflecting on the legacy he leaves behind—a legacy built on passion, creativity, and a lifelong dedication to music.